西安藝術品交易精品推薦：青銅器觀音佛造像
此藏品圖片為張女士實物拍攝,(實物與圖片一致)
藏品名稱：青銅器觀音佛造像
藏品編號：SXXAYSP-20220905-57
藏品規(guī)格：以實物為準
藏品重量：以實物為準
藏品估價：議價
觀音是觀世音菩薩（Bodhisattva Avalokiteshvara）的簡稱，也是龍泉地區(qū)最受歡迎且最重要的宗教崇拜對象。瓷質的觀音像在龍泉窯以外的景德鎮(zhèn)、磁州等窯場也有生產(chǎn)。但是只有在龍泉窯，觀音的形象被大量制作，且從大量的出土實物中可以發(fā)現(xiàn)，龍泉窯觀音塑像在當時擁有很多不同的形象和圖式。本文通過分析龍泉窯觀音塑像的形象、圖式及其生產(chǎn)情況，論證龍泉窯觀音塑像生產(chǎn)的初始時間及其發(fā)展的歷史脈絡，同時分析其與宋元明時期浙江地區(qū)宗教信仰之間的重要聯(lián)系
Guanyin, short for Bodhisattva Avalokiteshvara, is the most popular and important object of religious worship in Longquan. The Guanyin image of porcelain is also produced in Jingdezhen, Cizhou and other kiln fields outside Longquan kiln. However, only in Longquan kiln, the image of guanyin was made in a large number. From a large number of unearthed objects, it can be found that the guanyin statue of Longquan kiln had many different images and schemata at that time. By ANALYZING THE IMAGE, SCHEMA AND PRODUCTION SITUATION OF GUANYIN STATUES IN LONGQUAN KILN, THIS PAPER DEMONSTRATES THE INITIAL TIME OF GUANYIN STATUES IN LONGQUAN KILN AND THE HISTORICAL context OF THEIR development, AND ANALYZES THE important connection between them and the RELIGIOUS belief in Zhejiang area in the Song, Yuan and Ming DYNASTIES
龍泉窯瓷器在滿足出口瓷器燒造的同時，還為民間燒造了大量民間使用瓷器。伴隨著佛教在中國的流行，唐代時期是佛教的重大的發(fā)展時期，到了宋代以后佛教也在中國大力發(fā)展。尤其是普通百姓家里，燒香念佛成為普通百姓家中常見的現(xiàn)象。這一時期，龍泉窯燒制了大量佛教用的器具，最典型的就是香爐。龍泉窯瓷器燒制了大量佛像的造像。在這些佛像當中，龍泉窯器使用了非常成熟的燒造技巧，將佛像雕塑藝術與瓷器燒造藝術，兩者巧妙的結合在了一起。
The Longquan kiln porcelain not only met the requirements of export porcelain production, but also produced a large number of folk porcelain for use. With the popularity of Buddhism in China, the Tang Dynasty was a significant period of development of Buddhism. After the Song Dynasty, Buddhism also developed vigorously in China. Especially in ordinary people's homes, burning incense and chanting Buddha has become a common phenomenon in ordinary people's homes. During this period, a large number of Buddhist utensils were fired in Longquan kilns, the most typical of which was the censer. A large number of Buddha statues were made on Longquan kiln porcelain. Among these Buddha statues, Longquan kiln ware uses very mature firing techniques, which combine Buddha sculpture art and porcelain firing art skillfully.
后來龍泉窯瓷器開創(chuàng)性的創(chuàng)造了佛像佛龕的瓷器品種。這類瓷器品種，是龍泉窯瓷器中非常精彩的瓷器品種，將原來以木質為結構的佛像，采用了純瓷質進行燒制，塑造了陶瓷的佛像。這種佛像形式，以整體瓷器的形象出現(xiàn)了
Later, Longquan kiln porcelain pioneered the creation of Buddha and Buddhist niches of porcelain varieties. This kind of porcelain variety is a very wonderful porcelain variety in Longquan kiln porcelain. The original Buddha statue with wood as the structure is fired with pure porcelain, and the ceramic Buddha statue is shaped. This Buddha statue form, as a whole porcelain image appeared
近年來，明清鎏金銅佛造像在國際拍賣市場上大放異彩，受到各路收藏家極力追捧，尤其是明代永樂、宣德兩朝用以賞賜西藏上層僧侶的鎏金藏式佛造像，因其工藝精湛、造型傳神，在拍賣市場上屢創(chuàng)高價。例如，2004年，一尊明15世紀大威德明王鎏金佛像，在香港佳士得以1906.2萬港元成交，成為當時鎏金佛像成交紀錄之冠。2006年秋拍時，香港蘇富比推出“佛華普照——重要明初鎏銅佛收藏專場”，總成交額超3億港元。一尊“大明永樂年施”款的鎏金釋迦牟尼座像以1.16億港元被內(nèi)地蔡姓收藏家競得，刷新銅佛歷史成交紀錄。佛像收藏不僅是一種信仰，也是一種增值投資
In RECENT YEARS, Ming AND QING GILT BRONZE Buddha STATUES SHINE BRIGHTLY ON THE INTERNATIONAL AUCTION MARKET, by collectors to pursue, especially the Ming Dynasty Yongle, XUANDE two dynasties to reward Tibet upper monk's gilt Tibetan Buddha statues, because of its exquisite craft, modeling vivid, in the auction market repeatedly high price. For EXAMPLE, 2004, ONE HONOR 15 CENTURIES BIG WEI DE Ming KING GILT Buddha FIGURE, CLINCH A DEAL IN Hong Kong Christie'S WITH 19.062 MILLION Hong Kong DOLLARS, BECOME THE CROWN THAT GILT Buddha FIGURE CLINCH A DEAL RECORD AT THAT TIME. In THE AUTUMN OF 2006, SOTHEBY'S Hong Kong LAUNCHED "Buddha HUA PU PHOTO - AN IMPORTANT BRONZE Buddha IN THE EARLY Ming DYNASTY", WITH A TOTAL TURNOVER OF MORE THAN HK $300 MILLION. One HONOR "BIG Ming YONGLE YEAR APPLIES" THE GILT GOLD SAKYAMUNI SEAT IMAGE OF MONEY IS WON WITH 116 MILLION Hong Kong DOLLARS BY INLAND CAI SURNAME COLLECTOR, REFRESH COPPER Buddha HISTORY CLINCHES A DEAL RECORD. Buddha collection is not only a religion, but also a value-added investment.
觀世音菩薩坐像一面二臂，高發(fā)髻，雙垂耳珰，修眉朗目，寂靜慈祥。左右手當胸握經(jīng)篋，舒右腿，左腿盤曲，右舒坐姿。袒上身，胸前垂掛項鏈瓔珞。帛帶自雙肩繞臂婉轉于身側，肩后帛帶下垂呈弧形，雕刻生動寫實，與永樂宣德佛像常用的披肩式樣不同。雕細密精致的纏枝蓮花紋，改變通常的衣褶起伏做法。
Avalokitesvara BodhISATTva sits with two arms on one side, hair in a high bun, ears clanking, eyebrows and eyes in silence and kindness. The left and right hand hold a suitcase as chest, comfortable right leg, left leg coiled, right comfortable sitting. Topless with necklaces draped across the chest. Silk ribbon from the shoulders around the arms to the side of the body, the shoulder belt sagging arc, vivid and realistic carving, and Yongle Xuande Buddha commonly used shawl style. Carving fine and delicate lotus pattern, change the usual garment fold ups and downs.
佛像在收藏投資業(yè)界的市場占有率遠沒有達到所謂的飽和階段，價格還有不斷上揚的趨勢。與國際市場相比，國內(nèi)的佛像成交價還是偏低。這首先緣于“歷史原因”，也與社會經(jīng)濟文化發(fā)展的整體氛圍有直接關聯(lián)。有專家認為，藝術品收藏市場對專項收藏品的細分要達到“成熟化”和“透明化”，這是一個漫長而曲折的過程，而且這種成熟和透明是相對的。
The market share of Buddha statues in the collection and investment industry is far from reaching the so-called saturation stage, and their prices are on the rise. Compared with the international market, the domestic Buddha transaction price is still low. This is firstly due to "historical reasons", but also directly related to the overall atmosphere of social, economic and cultural development. Having AN EXPERT TO THINK, THE SUBDIVISION THAT ART COLLECTS MARKET TO SPECIAL COLLECTION SHOULD ACHIEVE "MATURE CHANGE" AND "TRANSPARENT CHANGE", THIS IS A LONG AND TORTUOUS PROCESS, AND THIS KIND OF MATURITY AND TRANSPARENT ARE RELATIVE.
此藏品是張女士個人多年收藏的珍藏品,即將交于陜西藝術品市場我公司網(wǎng)絡市場部專員運作推廣,對此件藏品感興趣的收藏家及時回復市場客服或與本公司國際市場負責人聯(lián)系
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